Going against the tide of contemporary art movements through pictorial non-conformism, as well as through a singular approach...the work of Claude Lessard challenges the art of its tendencies by transgressing its principles.
Devoid of intention, his pictorial universe is part of a constant search for energy between the organic and cosmic world.
A form of anti-art, visionary and "outsider", his spontaneous work resides at the borders of reality and imagination, guided by an animist sense. He overturns our established artistic notions and encourages us, through his works, to explore our own consciousness.
In search of the absolute, he dialogues with thinking matter, through intuitive gestures where his only direction is the emotional charge of the vibrational moment.
Under the guise of abstraction, the primary energy driven by the artist is revealed, invoking on each canvas a matrix incarnated under the specter of the liminal space of unconsciousness.
Different hybrid beings are born there and come out of nothingness freely, emanating from absolute spontaneity, without intention or restriction. The intricacy of the gesture makes us feel numerous presences which can sometimes recall a mythology of chiaroscuro and exorcism.
His pictorial language emerges from the vibrant tension between the subject and the object, as well as a work of construction/deconstruction, by adding and removing layers of paint, applied with fingers or improvised spatulas and sustained in a charged gestural movement of instantaneous and instinctive emotions.
He favors recycled and natural materials, acrylic, oil or aerosol paint, as well as minerals, crystals and copper. All matter contains a memory, marked by an experience and the artist thus attempts to bring out this energy trapped in the past and bring it back to life, thus transformed!
With an “alla prima” technique, a form of human DNA is sometimes incorporated which crystallizes at the heart of the canvas and sublimates into itself, as if it were recycling a soul… thus bordering on the mystical!
Art History Bachelor
that the works of art emanating the greatest inner strength are inspired and not calculated.
I am therefore convinced that, to truly move forward, without any restraint, it is essential to leave our cultural baggage behind and let ourselves be guided by the work itself in its creation, thus helping it to be born and materialize without influence.
In this sense and to succeed in completely ignoring all inculcated cultural parameters, I reject any influence whatsoever, even my own... and give free rein to the visual crystallizations which will come out of nowhere, through my actions, which must above all be non-predetermined!
Consequently, this process must be instantaneous and of a single occurrence… without preconceived ideas.
Thus, in a concrete way, this movement leads me to favor industrial or natural materials, most of the time recycled, thus letting myself be intuitively guided through the choices.
I randomly incorporate stones, crystals, copper or certain genetic baggage, in accordance with the vibrational nature of the web becoming the manifestation inherent to my journey...strewn with presences seeking to emerge!
Born in Montreal, Canada in 1957. Self-taught painter since 1973, but full-time since 2007, he completed his Bachelor's degree in environmental geology at UQAM in 1981. His affiliation with earth sciences instilled in him a desire to examine the universe at its source. Thus guided and challenged by a pictorial language of his own, he therefore fully connects with painting.
Mixed media on canvas or lauan (recycled wood panels and cinema sets), acrylic, oil or recycled industrial paints. Incorporation of minerals, sand, crystals, copper, enamels and sometimes human DNA.
It is through the exploded and intuitive abstract pictorial universe of Lessard that Bellemare draws his inspiration and intervenes with his oil glazes and pastels, to extract and concretely reveal the underlying embryonic traits. From this abstract/figurative transmutation, an alchemical research between spirit and matter, a clarified vision is born, thus defining the intention and nevertheless leaving room for the viewer's imagination. The paintings thus transformed reveal animal, human or hybrid forms, accomplices of a universe with cosmic or mythological resonances. Bellsard is a journey into the unknown, always renewed. Their approach stands out for its interest in the mystery and secrets of the synergistic human soul.
A native of Montreal, Jocelyne Bellemare has more than 20 years of experience through her art. With a bachelor's degree in Art History from UQAM and a 7th art makeup artist, she has never stopped working in the artistic world. She benefited from private lessons in visual arts for more than 5 years (Beaux-Arts Mission Renaissance, Montreal and Saidye Bronfman Center, Montreal). She has participated in various group exhibitions. 2015, “Two for the road”, Splash design, Montreal, collective; 2002, Galerie Artus, Montreal, collective; 1995, Galerie RayMonde, Laval, collective; 1995. Studio V.Donohue, Montreal, collective; 1994, Brancusi Cultural Center, Montreal, collective; 1994, Spectra designers show, town of St-Laurent, collective.
Born in Montreal, Canada in 1957. Self-taught painter since 1973, but full-time since 2007, he completed his Bachelor's degree in environmental geology at UQAM in 1981. His affiliation with earth sciences instilled in him a desire to examine the universe at its source. Thus guided and challenged by a pictorial language of his own, he therefore formally connects to painting. Since 2007, he has participated in more than ten exhibitions in Montreal and Quebec. 2016 Galerie Gora, Montreal, solo; 2016 Galerie Luz-Belgo, Montreal, solo; 2013-15 Creation Pardeux inc., Longueuil, Quebec, solo; 2013 Salon du Cuivre, Rouyn-Noranda, sponsored by XSTRATA inc., collective; 2010 and 2012 “Château going green 1 and 2” at Château Frontenac, Quebec, collective; 2007-2009 Gallery 135 Van Horne, Montreal, duo.